By Catherine Belsey
A destiny for Criticism considers why fiction offers a lot excitement, and the forget of this factor in contemporary criticism.
- Offers a quick, vigorous, and obtainable account of a brand new path for severe perform, from one in all Britain's so much favourite literary theorists and critics
- Proposes a brand new direction for destiny feedback, extra open to reflecting at the pleasures of fiction
- Written in a transparent, jargon-free type, and illustrated all through with a number of examples
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Additional info for A Future for Criticism
5 According to Peacock’s version of the story, in its golden age (the epoch of Shakespeare, comparable to Homer’s in Greece) English poetry constituted the unrivalled repository of society’s values in their entirety. But, as bearers of culture, fictional writers were soon to give way to philosophers and historians, who were better equipped for the next stage of the civilizing task. Thus separated off from the cognitive process, poetry entered its silver age and thence, by declining degrees, reached the present age of brass.
On the contrary, the drive is indestructible and it always wants more. Guilt demands ever greater virtue, higher levels of self-sacrifice. We might suppose that general obedience to the moral law would produce a society and individuals at peace with themselves and each other, but Freud thinks otherwise. Far from generating the contentment of a job well done, in the psychoanalytic account a heightened ethical sense diminishes self-confidence and, with it, self-reliance. indd 29 11/26/2010 7:06:32 AM Piety Freud believes it also curtails the capacity to challenge authority.
Stephen Greenblatt’s Renaissance Self-Fashioning, the book that in 1980 defined New Historicism for a whole generation, concerns, as its title indicates, authorial selves. indd 43 11/26/2010 7:07:59 AM Biography depicted in and by the text and the historical figure who fashions a textual self in writing as a personal response to power. The question of critical biography pushed its way irresistibly to the fore in 2004, when no less eminent a figure than the founder of New Historicism sought the origin of the texts in the life of no less outstanding a writer than Shakespeare.
A Future for Criticism by Catherine Belsey