Download e-book for kindle: Convulsing Bodies: Religion and Resistance in Foucault by Mark D. Jordan

By Mark D. Jordan

ISBN-10: 0804789029

ISBN-13: 9780804789028

By utilizing faith to get on the middle recommendations of Michel Foucault's considering, this e-book deals a robust substitute to the way in which that the philosopher's paintings is learn around the humanities. Foucault used to be famously drawn to Christianity as either the rival to old ethics and the mother or father of contemporary self-discipline and was once consistently alert to the hypocrisy and the violence in church buildings. but many readers have overlooked how significant faith is to his idea, really with reference to human our bodies and the way they're formed. the purpose isn't really to show Foucault into a few type of believer or to extract from him a set thesis approximately faith as such. fairly, it's to work out how Foucault engages spiritual rhetoric web page after page—even while faith isn't his major subject. whilst readers keep on with his allusions, they could see why he reveals in faith not just an item of critique, yet a perennial provocation to contemplate how speech works on bodies—and how our bodies resist.

Arguing that Foucault conducts experiments in writing to frustrate educational expectancies approximately background and thought, Mark Jordan provides equivalent weight to the performative and theatrical elements of Foucault's writing or lecturing. How does Foucault degree probabilities of self-transformation? How are his books or lectures such as the rituals and liturgies that he dissects in them? Convulsing Bodies follows its personal video game of hide-and-seek with the brokers of totalizing platforms (not least within the academy) and provides us a Foucault who performs along with his audiences as he performs for them—or teaches them.

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Extra resources for Convulsing Bodies: Religion and Resistance in Foucault

Sample text

I suspect that he doesn’t overlook them so much as mark his distance from them. Foucault writes a critical appreciation of Â�Klossowski’s work. He means to represent it but also to insert it into a story about Western thought. Foucault’s own genre is constrained by notions of literary criticism and philosophic renarration. He translates Klossowski into another genre. The new genre—the achieved form of his essay— HUNTER OF T HE SACRED  33 is the most obvious answer Foucault gives in it to the challenge of Â� lossowski’s writing.

Of course, the whole HUNTER OF T HE SACRED  37 range of detail is subordinated to unusually cyclic forms and indeed to a preoccupation with form. The exercise of writing History of Madness is to find a form in which madness can have an antihistory. So perhaps Foucault’s book is closer to the second type of novel—and, indeed, it cites Lautréamont but not Balzac. Still Foucault’s preface to that book suggests that its form will acknowledge Reason’s historical tyranny over language even as it listens for sounds from unreasonable bodies.

Literature is not language approaching itself to the point of burning manifestation; it is language putting itself farthest from itself. . ’”63 For Foucault, this space is the subject of Blanchot’s writing, in which he writes and about which he writes. The space of language, its being, appears only after the speaking subject disappears. Foucault notices the disappearance in a number of other contemporary projects: the formalization of language, the study of myths, psychoanalysis, and the (Heideggerian) search for the Logos that is the birthplace of Western reason.

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Convulsing Bodies: Religion and Resistance in Foucault by Mark D. Jordan

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